I've been listening to the audiobook of Stephen King's latest, Billy Summers. It's pretty damn good. Ostensibly the story of an assassin paid a couple of millions dollars for 'one last job' it is, of course much more than that.
It's fascinating, isn't it, the bad guy who only kills bad guys? Tony Soprano, John Wick, Jax Teller, Dexter Morgan - we give them all a pass. Though POV tends to create sympathy for characters as well. It does seem to take work to make a character both interesting but unsympathetic - thinking eg Patrick Melrose (and perhaps not even him), Professor Dr Moritz-Maria von Igelfeld from McAll Smith's 2 1/2 pillars of wisdom trilogy, or McEwan's Michael Beard.
OK, on my list of books to read next, possibly even in the top 10 of that list, largely due to the short length. Wut? I confess I struggle with King. His writing is wonderful, but his books are so often so long with stuff that doesn't actually progress the story (the haunted car stuff takes up, what, about 37 of the 500 or so pages of Christine? I exaggerate. At least twice that). Which, IIRC, makes Aristotle cry. It's bearable because his writing is so good(*), but it takes me time. I've been struggling on and off with The Stand for over a couple of years now.
But, yes, at least it's not Proust.
(*) unlike the Martster whose books could easily be trimmed by =>50 per cent without losing anything and gaining a focus on the good part: the story. High concept? Unlike WhiteKnight 2, actually got to space.
i'll put it on my audio list as the book recommendations here never disappoint - i have about 40hrs of Malazan books to get through though (got book 1 and 2 to listen to now spring is putting a finger out to test the air, so much to do). I remember years ago reading book 2 and being extremely impressed, after book 1 being a bit of a slog trying to get up to speed on who was who and what was what book2 really hit its stride.
There is a TV series called Barry in which the titular protagonist is a hitman, but is also is a nice guy - except for all of the hitmanning he has done. As well as exploring the moral of his life choices, it certainly doesn't glamorize the lifestyle it explores how Barry really wants to be an actor. Must be the Zeitgeist.
It's fascinating, isn't it, the bad guy who only kills bad guys? Tony Soprano, John Wick, Jax Teller, Dexter Morgan - we give them all a pass. Though POV tends to create sympathy for characters as well. It does seem to take work to make a character both interesting but unsympathetic - thinking eg Patrick Melrose (and perhaps not even him), Professor Dr Moritz-Maria von Igelfeld from McAll Smith's 2 1/2 pillars of wisdom trilogy, or McEwan's Michael Beard.
OK, on my list of books to read next, possibly even in the top 10 of that list, largely due to the short length. Wut? I confess I struggle with King. His writing is wonderful, but his books are so often so long with stuff that doesn't actually progress the story (the haunted car stuff takes up, what, about 37 of the 500 or so pages of Christine? I exaggerate. At least twice that). Which, IIRC, makes Aristotle cry. It's bearable because his writing is so good(*), but it takes me time. I've been struggling on and off with The Stand for over a couple of years now.
But, yes, at least it's not Proust.
(*) unlike the Martster whose books could easily be trimmed by =>50 per cent without losing anything and gaining a focus on the good part: the story. High concept? Unlike WhiteKnight 2, actually got to space.
i'll put it on my audio list as the book recommendations here never disappoint - i have about 40hrs of Malazan books to get through though (got book 1 and 2 to listen to now spring is putting a finger out to test the air, so much to do). I remember years ago reading book 2 and being extremely impressed, after book 1 being a bit of a slog trying to get up to speed on who was who and what was what book2 really hit its stride.
There is a TV series called Barry in which the titular protagonist is a hitman, but is also is a nice guy - except for all of the hitmanning he has done. As well as exploring the moral of his life choices, it certainly doesn't glamorize the lifestyle it explores how Barry really wants to be an actor. Must be the Zeitgeist.
I read it on my IPAD and thought it excellent also.